About / He–him

Jared
Pappas-Kelley.

Artist, writer, and curator based in Canterbury, UK.

Black-and-white portrait of Jared Pappas-Kelley, wearing glasses and a flat cap.

Images / Words / Cultural spaces

Art, writing
& independent spaces.

Dr Jared Pappas-Kelley is an artist, writer, and curator whose work spans moving image, literature, and the creation of independent cultural spaces. His writing examines art, destruction, and the relationship between making and undoing.

He is co-founder and Creative Director of Pup & Tiger in Canterbury, bringing together exhibitions, publishing, editions, and public programmes. In 2025, he curated Soft Territories: Crossing One, presented online through Dennis Cooper and Delere Press.

His books include the novel Stalking America (Delere Press, 2023), the collected writings To Build a House that Never Ceased (Sweat Drenched Press, 2020), and Solvent Form: Art and Destruction (Manchester University Press, 2018). His essays and interviews have appeared in OnCurating, The Rumpus, and Manchester University Press’s online writing. His work and projects have also featured in The Guardian, Cabinet, and Art Monthly.

From 2015 to 2023, Pappas-Kelley taught fine art at Teesside University, serving as Senior Lecturer and Course Leader for MA Fine Art. His work in art education included conversations with visiting artists for the university’s Critical Perspectives series. Earlier roles included teaching at the University of Lincoln and Tacoma School of the Arts, and graduate teaching assistantships at the European Graduate School.

He also founded Invert/Extant, an independent press and platform for artist writing and conversations. Its Transmissions programme and publications brought together artists and writers including Uta Barth, Liam Gillick, and Bracha Ettinger.

His record includes a contribution to The Making of… at SFMOMA in 2013; participation in An Exchange with Sol LeWitt at MASS MoCA, curated by Regine Basha, and The Weaklings at Five Years, London, curated by Dennis Cooper, both in 2011; and work in Tacoma Art Museum’s collection exhibition The Surrealist Impulse (2008–09).

From 2001 to 2007, he directed ArtRod in Tacoma, working alongside Michael S. Lent on Tollbooth Gallery, Toby Room, Critical Line, and Don’t Bite the Pavement. These programmes brought together exhibitions, publishing, and screenings. He edited and published Toby Room; he and Lent received a shared AMOCAT award in 2005. Tollbooth Gallery also featured in the Museum of Contemporary Art, Los Angeles’s classroom curriculum on public art.

Explore the curatorial work

Selected career / Newest first

Projects, publications
& recognition.

2025

Soft Territories: Crossing One

Curator; split-site exhibition presented online through Dennis Cooper and Delere Press.

Record

2025

Mapping / Invocation

Artist’s book, archival prints, and moving image; Pup and Tiger Press project.

Record

2023

Stalking America

Experimental fiction, published by Delere Press.

Record

2015–2023

Teesside University

Taught fine art, serving as Senior Lecturer and Course Leader for MA Fine Art.

Contemporary biography

2020–22

Invert/Extant

Founder of the independent press. Selected publishing projects include Transmissions, Notebook 1: Certainty in Uncertainty (2021), and Notebook 2: Portents (2022).

University record

2020–22

Portents

Drawing, text, scores, and moving image; Cycle 1 documented at Dovetail Joints in 2020, followed by Notebook 2 in 2022.

Record

2020

Broken Grey Wires

Steering committee member.

Record

2020

To Build a House that Never Ceased

Collected writings, interviews, and letters on art; Sweat Drenched Press.

Record

2019

Solvent Form / Art Monthly

Book reviewed by Michael Hampton in the March issue of Art Monthly.

Record

2018

Solvent Form: Art and Destruction

Hardback publication, Manchester University Press.

Record

2016–17

Critical Perspectives

Published conversations with Caroline Archaintre, Kevin Hunt, Graeme Durant, and Johannes Maier, accompanying the Teesside University series.

Read the conversations

2010–2016

Critical Contemporary Culture

Editorial board member and article editor for visual art; peer reviewer in curatorial practice and critical theory.

Career record

2016

Islington Mill

Participating artist, Liberate yourself from my vice like grip, Salford.

Record

2016

OnCurating, issue 31

Published essay on Uta Barth and Agnes Martin.

Record

2013–2015

University of Lincoln

Lecturer in Fine Art, teaching studio practice and contextual studies. Earlier guest teaching included MA Photography in 2010, BA Fine Art in 2012–13, and BArch in 2013.

Career record

2014

ATELIER PUBLIC #2

Selected for discussion in Modern Edinburgh Film School’s programme at the Gallery of Modern Art, Glasgow.

Record

2013

SFMOMA

Contribution to The Making of…, San Francisco, 30 May.

Record

2012

Virion 2012

Participating artist; 24 August–2 September, Australia & New Zealand.

Record

2010–2011

European Graduate School

Graduate Teaching Assistant for Paul D. Miller (DJ Spooky) in 2010 and Jean-Luc Nancy in 2011.

Career record

2011

The Weaklings

Participating artist, Five Years, London; curated by Dennis Cooper.

Record

2011

MASS MoCA

Participating artist, An Exchange with Sol LeWitt; curated by Regine Basha.

Record

2010

Colour and Chromophobia

Contribution to The Minutiae of Visionaries: Experiments Toward Social Evolution; Evo Girls Press.

Record

2008–09

Tacoma Art Museum

Work included in the collection exhibition The Surrealist Impulse, 6 September 2008–10 May 2009.

Record

2006–2007

Tacoma School of the Arts

Taught film, video, screenwriting, and visual art, with courses including directing, narrative forms, and surrealism.

Career record

2005

AMOCAT award

Joint recognition with Lent, City of Tacoma.

Record

Download selected career record (text)

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